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This thesis compares the works of French artist Daniel Buren and American artist Robert Smithson during the years 1965- 1968. Smithson and Buren have been chosen because their career paths exemplify the fate of the artist in an increasingly administered art world, but also because the subject matter of their respective works is a reflection of the importance of various kinds of infrastructures.
CULTURE AND CUSTOMS OF FRANCE During the nineteenth century Britain eclipsed France with its empire and industrial revolution, and both the United States and Germany surpassed it in terms of economic dynamism. Yet France enjoyed another cultural golden age with Paris, the cultural capital of the world, for virtually the entire period 1840.
A thorough analysis of the making of the film featuring original interviews with those involved. How Performance came about and the involvement of key players such as James Fox who journeyed into the criminal underworld and how real gangsters were involved in the research for the film. Reveals how Marlon Brando was originally considered for the role of Chas. The various conflicts and intrigues.
As art departments, and in particular art history departments, lagged in the adoption of courses and research on comics, the literary turn in the study of comics prevailed, with hundreds of essays published on generic, thematic, formal, and narrative concerns raised by a host of comics and works in the domain of popular culture. One of the significant consequences of the literary turn in the.
Essays by Bignamini and Hornsby introduce the field of study and elucidate the complex bureaucracy of the relevant departments of the Papal courts. The second volume of the books is a collection of hundreds of letters from the dealers and excavators abroad to collectors in England, offering a rich source of information about all aspects of the art market at the time. The book is an invaluable.
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